What critics have to say about
split second
“Kuhlman’s skill, intellegence and presence are undeniable.” — The Stranger
“Utterly and beautifully haunting.” — Seattle Times
“…delightfully suits the sober serious perceptions of a child absorbing and categorizing the universe, as Kuhlman clambers up a giganitc red coat suspended from the ceiling, gripping it in a marsupial embrace.” — The Stranger
“A wry, expressive phyiscal-theatre artist.” — The Seattle Times (Hot Ticket)
Original Work
(including Twinless Twin, Sister, Pie, and Jackie)
“Seattle’s most beloved mime.” — The Stranger
“Precise physical control and an inspired theatrical sensiblity.” — On the Boards (Seattle)
“Extremely imaginative use of parts of the body to represent individuals, concepts and feelings… a striking image, worth the price of admission alone.” — Theatre Puget Sound review
“An amazing and touching performance… rich in symbolism, succeeding in conveying a thousand different feelings within an immensley short amount of time.” — Seattle Weekly
Seattle Mime Theatre
“The Seattle Mime Theatre has to be seen to be believed. The performances are quite stupendous.” — South China Morning Post (Hong Kong)
“The Seattle Mime Theatre stands out because of the intellegence, professionalism and sense of fatnasy of it’s artists.” — The Daily Telegraph (London)
“Seattle Mime Theatre makes trascendence beautifully visable.” — The Seattle Times
“A satisfying concert of limber imagery.” — Laurence Journal-World (Kansas)
“At one point, Kuhlman enacts the entire infantry action of the Second World War.” — Seattle Times
“Kuhlman, thanks to her incredibly mobile features, turns Mrs. Mitty into a hilerious old bat.” — Seattle Post-Intellegencer
“Human dynamo Mik Kuhlman plays a wide variety of roles, ranging from a pair of overshoes to the exploding bombs of WWII.” — The Orion (Chico, Ca)